When shooting a documentary, the vast majority of what you film gets edited out of the final production. But instead of letting thousands of hours of breathtaking. Dub music Wikipedia. For the process of transferring or copying audio material, see Dubbing music. For the UK garage subgenre, see Dubstep. Dub is a genre of music1 that grew out of reggae in the 1. Music in this genre consists predominantly of instrumental remixes of existing recordings3 and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, and emphasizing the drum and bass parts this stripped down track is sometimes referred to as a riddim. Other techniques include dynamically adding extensive echo, reverb, panoramic delay, and occasional dubbing of vocal or instrumental snippets from the original version or other works. It was an early form of popular electronic music. Dub was pioneered by Osbourne King Tubby Ruddock, Lee Scratch Perry, Errol Thompson and others2 in the late 1. Augustus Pablo is credited with bringing the melodica to dub, and is also among the pioneers and creators of the genre. The bowling alley of the abandoned Homowack Lodge in Spring Glen, New York. This area of the southern Catskills was once known as the Borscht Belt due to its. CONSOLIDATED MINI CATALOGUE. BA Color Box Art Available for an additional 3. FL Film is in Foreign Language. Lbx Letterboxed or Widescreen. Watch Desert Punk English Dubbed' title='Watch Desert Punk English Dubbed' />Watch episode Top Series List online in english dubbedsubbed for free at Watchdub. Best site for streaming HDHQ anime and cartoon english dub. Kill the DJ is a song by American punk rock band Green Day. It was released as the second single from the bands ninth studio album, Uno on August 14, 2012. Similar experiments with recordings at the mixing desk outside the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing console as an instrument, manipulating tracks to come up with something new and different. Dub has influenced many genres of music, including rock most significantly the subgenre of post punk and other kinds of punk6, pop,7hip hop,6disco, and later house,8techno,8ambient,8electronic dance music,9 and trip hop. Dub has become a basis for the genres of jungle and drum and bass1. Traditional dub has survived, and some of the originators, such as Lee Scratch Perry and Mad Professor, continue to produce new material. The verb dub is defined as making a copy of one recording to another. The process of using previously recorded material, modifying the material, and subsequently recording it to a new master mix, in effect doubling or dubbing the material, was utilized by Jamaican producers when making dubs. The term dub had multiple meanings in Jamaica around the time of the musics origin. The most frequent meanings referred to either a form of erotic dance or sexual intercourse 1. The Silvertones Dub the Pum Pum where pum pum is Jamaican slang for female genitalia, Big Joe and Fays Dub a Dawta dawta is Jamaican slang for girlfriend. I Roys Sister Maggie Breast features several references on sex I man a dub it on the side. Say little sister you can run but you cant hide. Slip you got to slide you got to open your crotches wide. Peace and love abide. Watch Desert Punk English Dubbed' title='Watch Desert Punk English Dubbed' />Some musicians, for instance Bob Marley and The Wailers, had alternative meanings for the term dub. In concert, the order dub this one meant put an emphasis on bass and drums. Drummer Sly Dunbar points to a similar interpretation, relating the term dubwise to using only drums and bass. Another possible source was the term dub plate, as suggested by Augustus Pablo. John Corbett has suggested that dub could derive from duppy, a Jamaican patois word for ghost, as referenced by Burning Spear having named the dub version of his Marcus Garvey album Garveys Ghost, and by Lee Scratch Perry stating that dub is the ghost in me coming out. The word duppy also relates to dub through Jamaicas history of intra racial terror, violence, and murder that is often overlooked in favor of Jamaican ideologies of racial solidarity. The ghosts of these victims, or duppies, are thought to be captured best within the dub instrumentals. To describe dub in his study When Echoes Return, Louis Chude Sokei states, Its swirling echoes are metaphors of loss while the disembodied voices and gunshots mimic the sound of ghosts, the sudden dead. CharacteristicseditDub music is characterized by a version or double1. B sides of 4. 5 RPM records and typically emphasizing the drums and bass for a sound popular in local sound systems. A version is a record with the vocals removed, the alternative cut of a song made for the DJ to toast over. These versions were used as the basis of new songs by rerecording them with new elements. The instrumental tracks are typically drenched in sound effects such as echo, reverberation, with instruments and vocals dropping in and out of the mix. Another hallmark of the dub sound is the prominent use of bass guitar. The music sometimes features other noises, such as birds singing, thunder and lightning, water flowing, and producers shouting instructions at the musicians. It can be further augmented by live DJs. The many layered sounds with varying echoes and volumes are often said to create soundscapes, or sound sculptures, drawing attention to the shape and depth of the space between sounds as well as to the sounds themselves. There is usually a distinctly organic feel to the music, even though the effects are electronically created. Often these tracks are used for toasters rapping heavily rhymed and alliterative lyrics. These are called DJ Versions. In forms of sound system based reggae, the performer using a microphone is referred to as the DJ or deejay where in other genres, this performer might be termed the MC, meaning Master of Ceremonies, or alternately, the later developed slang terms Microphone Commander or Mic Control, and the person choosing the music and operating the turntables is called the selector sometimes referred to as the DJ in other genres. A major reason for producing multiple versions was economic a record producer could use a recording he owned to produce numerous versions from a single studio session. A version was also an opportunity for a producer or remix engineer to experiment and express their more creative side. The version was typically the B side of a single, and used for experimenting and providing something for DJs to talk over, while the A side was more often dedicated to the original vocal oriented track. In the 1. 97. 0s, LP albums of dub tracks were produced, often simply the dub version of an existing vocal LP, but sometimes a selection of original instrumental tracks produced in dub style for which no vocals existed. HistoryeditDub music and toasting introduced a new era of creativity in reggae music. From their beginning, toasting and dub music developed together and influenced each other. The development of sound system culture influenced the development of studio techniques in Jamaica,2. DJs, including Duke Reid and Prince Buster among others, were toasting over instrumental versions of reggae and developing instrumental reggae music. Versions and experiments with studio mixing Late 1. In 1. 96. 8, Kingston, Jamaica sound system operator Rudolph Ruddy Redwood went to Duke Reids Treasure Isle studio to cut a one off dub plate of The Paragons hit On The Beach. Engineer Byron Smith left the vocal track out by accident, but Redwood kept the result and played it at his next dance with his deejay Wassy toasting over the rhythm. The instrumental record excited the people at the sound system and they started singing lyrics of the vocal track over the instrumental. The invention was a success, and Ruddy needed to play the instrumental continuously for half an hour to an hour that day. Kill the DJ WikipediaKill the DJ is a song by American punk rock band Green Day. It was released as the second single from the bands ninth studio album, Uno, on August 1. The song was recorded at Jingletown Studios from February 1. June 2. 6, 2. 01. Reprise Records and Warner Bros. A music video, directed by Samuel Bayer, was released on September 4, 2. The song takes influences from dance music, a departure for the band. Kill the DJ was compared to The Clash albums Sandinista Combat Rock 1. The Rapture. Kill the DJ was based on static and noise it was an imagery of waterboarding and torture straight into the dance club. The song appeared on charts worldwide and received mixed reviews from critics. Production and releaseeditGreen Day began to record material for the albums Uno, Dos Tr on February 1. During the sessions, Mike Dirnt asked the frontman Billie Joe Armstrong to write a song with a four on the floor rhythm. After the release of Oh Love, the lead single from the album trilogy on July 1. Kill the DJ during a press release on July 3. The band performed the song eight days ahead of its release at a secret show held at the Echoplex on August 6, 2. BBC Radio 1 presenter Zane Lowe played the censored version of Kill the DJ on August 1. The next day, the single was made available on the i. Tunes Store. 7 The songs accompanying music video premiered on You. Tube on September 4, 2. Let Yourself Go on September 5. A teaser was previously uploaded on the channel on August 2. Theme and compositioneditThe sample contains a guitar based, dance punk melody with repetition of lines which was described to be spikier musically and barbed lyrically than the predecessor Oh Love1. Problems playing this file See media help. Kill the DJ is a dance punk song that Armstrong states is close to straight up dance music with a four on the floor rhythm he compared the overall production of the song to The Clashs 1. Sandinista, Ian Durys Sex Drugs Rock Roll by and Tom Tom Clubs Genius of Love. The band said that while producing the song, they attempted to find out how to make dance music without turning themselves into a dance act. Armstrong said it was the first time the band had written a dance song. Michael Roffman of Consequence of Sound compared the song with the works of The Rapture and The Clashs 1. Combat Rock he said it was strictly for basement dancefloors everywhere. According to Armstrong, the lyrics of Kill the DJ can be considered as a sweeping political statement rather than being interpreted as a comment on electronic music figures. He told Rolling Stone the song is about static and noise . Like this government cannot, will not, agree with itself. They refuse to make it work. Right, leftit doesnt matter. It blows your mind and pisses you off. Its a song about being drunk, going through this chaos, feeling fucked up and all you want to do is get more drunk. Todd Martens of Los Angeles Times wrote that the word DJ in Kill the DJ does not signify a real DJ but another figure. He compared Kill the DJ to The Static Age, a song on Green Days album 2. Century Breakdown 2. He added, Kill the DJ drops some cursory nods to war and religion in the opening bars, but soon brings the imagery of waterboarding and torture straight into the dance club. Music videoeditSamuel Bayer, the bands longtime collaborator, directed the music video. The accompanying music video for Kill the DJ was directed by Green Days longtime collaborator Samuel Bayer, who previously directed the clip for the bands previous single, Oh Love, and all the videos for their album American Idiot 2. The band announced the release of the clip with a teaser video which was uploaded to their You. Tube channel on August 2. Manual De Gestion De Calidad Coca Cola. The teaser video featured several scenes from the video and a brief sample of the ending of the track. The full video premiered on September 4, 2. The video starts with a black and white clip of the band riding motorcycles through a desert and finding their way into a nightclub. The band members walk through the club while others dance. As they perform in the club, two young women fight and some bottles are broken. Near the end, both women have a bloodbath they are depicted with blood on their faces and clothes while they continue to dance. Critical receptioneditKill the DJ was included in Zane Lowes Hottest Tracks of 2. Calling Lose My Mind by Sebastian Ingrosso and Alesso came first. Jack Brad, writing for Hive Magazine, said the song was a fun and funky track showcasing a different musical direction for the band. He also said it encompassed a catchy melody and . Warning 2. Nimrod 1. David Renshaw from Gigwise said Kill the DJs music video was not as violent as previous clips by the band he said, those who attended the bands brilliant Reading Festival set in August will testify that things can get more violent than scenes in the video. David Greenwald of Billboard magazine described Kill the DJ as a profanity laced and Clash channeling track. Zara Golden of VH1 said of the video, The hit is only a symbolic one, though, and the only real violence to be had here is a slaying guitar riff. Rather, this is an assault against the dubbed out sound that seems to be dominating todays air waves, Green Days own and only pretend bloody dubstep demolition. Todd Martens of Los Angeles Times, criticizing the single, said, Its all played rather straight. Ill pick up whats left in the club, Armstrong sings suspiciously, and the video released Tuesday doesnt do much to present the song as a statement. Alex Young, writing for Consequence of Sound said the opening clips of the band driving motorbikes were irrelevant. Young said, Theres also a random scene of the band riding dirt bikes through the desert, which doesnt really make sense in the context of the video but seems like a good way to spend an excess video budget. Credits and PersonneleditChart positionseditTrack listingeditKill The DJ Explicit 3 4. Kill The DJ Edit 3 4. Kill The DJ Album Version 3 4. ReferenceseditMontgomery, James February 1. Green Day Start Recording New Album. MTV News. MTV Networks. Retrieved June 1. Fricke, David June 2. Q A Billie Joe Armstrong on Green Days Album Trilogy. Rolling Stone. Retrieved June 2. Maloy, Sarah. Green Day Debuts Oh Love Single Listen. Billboard. Prometheus Global Media. Retrieved July 1. Kill the DJ  Artwork. Greenday. com. Green Day. Retrieved July 3. Green Day Play New Songs at Surprise Gig. Rolling Stone. Retrieved September 1. Lowe, Zane. Hottest Record  Green Day  Kill The DJ. BBC. Retrieved September 1. Bychawski, Adam August 1. Green Day unveil new single Kill The DJ  listen. NME. Retrieved November 1. Martens, Todd September 4, 2. The problems with Green Days Kill the DJ. Los Angeles Times. Retrieved September 9, 2. Grabert, Jessica. Green Days New Track Let Yourself Go Drops A Few F Bombs. Pop blend. Retrieved September 1. Bird, Michael August 2. Green Day release Kill The DJ video teaser. Alternative Press. Retrieved November 1. Hogan, Marc August 1. Hear Green Days Dance Punk Kill the DJ in Spiky Studio Form. Spin. Retrieved August 2.